A new batch has been posted for this month’s Fee-less Friday.
The new Frogtown single features very special guest Sigtryggur Berg Sigmarsson! Siggi sent me a large batch of sounds to work with, and some other collaborative projects between us are in the works. Track one features some of his vocal loops & sounds transformed into backing for brain-damaged easy listening free-to-the-point-of-indecency jazz/dub/rock. Track two is a multi-purpose instructional soundscape constructed entirely from Siggi’s diverse sources.
The second new release is ‘Exhausted Bee‘, a heartfelt tribute to an intrepid pollinator that just couldn’t endure the unusually hot temperatures in Oregon this year. The graphics feature several intimate portraits of this fallen voyager, and the audio includes some of the activities of his comrades.
The third item is ‘Skran‘, a boisterous thump-fest that owes a debt to a syndicated dream from the previous century.
As always, more is in the works. And another special guest will be featured for the next visit to Frogtown!
Bandcamp has resumed its fee-less Fridays, so, as before, I have delayed the release of the monthly single to coincide with that day. As of one o’clock this morning, the new Frogtown is now available.
Next month’s Frogtown single will feature special guest artist Sigtryggur Berg Sigmarsson, and some other very special guests are already lined up for the remainder of the series. Next month I hope to have some other pending projects completed, and will also finally get started on the task of cleaning up all the sources for the first irr. album from 1997 {along with a number of bonus materials).
Once again, I’m a bit later with the Frogtown single than I had planned… I always seem to end up on the first Friday of the month now regardless of whether Bandcamp is having a no-fee day. I was fully on schedule to get it posted on Wednesday, but these tracks turned out to be particularly challenging to mix properly, and I’d rather do the best I can and be a little late than do an inadequate job just to get it out on time. They’re also a bit longer than the usual Frogtown tracks. There might be something extra thrown in as well.
The special guests featured this month are the fabulous duo of Andrew & Melon Liles. Modifications of Andrew’s sounds form the foundation of track 1 before all the goofy hoopla was added on top, and they figure into all of the other tracks to some extent. Melon’s voice was used to create all of the non-instrument sounds in track 2, and most of the time Andrew’s sounds were employed as the means of modifying it. Derivations of her voice are used in all the other tracks as well, in obvious or subtle ways. Huge thanks and big, froggy love to the Lileses for agreeing to participate in this project!
I finally got the Frogtown MDS for May finished and posted. It took a few days longer than I had hoped, but some external impediments and internal variations slowed me down. This installment features guest contributor R K Faulhaber, who allowed me to use some of his sounds for the ‘R K Froghaupper’ portrait track; the original track took an unplanned detour into drone-rock neverland, so I decided to do a second track that is exclusively derived from manipulation of the RKF source material. I already had a good alternate selected from the ‘Froghaupper’ portrait shoot, so it seemed appropriate — maybe even preordained. Anyhow, apologies for the delay, and hope you enjoy the new single. More guest appearances are lined up for next month’s single, and a few more are planned for later in the year!
Hi all — Just a quick note to say I’m running a bit late on the next installment of Frogtown: I got bogged down with some other deadlines, and then I was put out of commission for a few days by my second Covid shot. I’ve already been nudging the release date forward a bit to make it land on the fee-less Fridays, and while there’s no fee-lessness on Friday this month, it looks like it’ll probably end up there again anyhow. Hopefully, it won’t be any later than that! But I don’t want to do a half-assed job on it just to get it out quicker.
Above is a new Frogtown portrait taken yesterday. It’s probably the tiniest one I’ve attempted to photograph so far, and the light was fading, so it was tricky to get a decent shot…
Second is the second installment of the ‘Isolation Fragments’ series. The post includes the original 22-minute version plus the 6-ish minute version edited for use as the video soundtrack. The video can be found on my YouTube channel here.
I’m really pleased with this particular batch! I really enjoyed making all of these. There are a couple more ongoing projects that I couldn’t manage to finish in time, but I should have those ready in tandem with the next Frogtown single.
The Monthly Digital Single for March has just been posted! There are a couple other projects in progress that I’d planned to launch this Friday, but I just couldn’t get them done in time…
A sneak peak into the future year: I recently completed a remix of ‘Rock ‘N’ Roll Station’ for a forthcoming reissue of that very same classic NWW album. A number of exciting (but also fairly obvious) guest voices were enlisted to stunning effect. It’ll be a while yet before that reissue will be ready, so nothing further to say about it right now. Just very excited about how the remix turned out.
Also, you may have noticed a change to the appearance of this site. I’d been limping along on the old version for years, always intending to fancy it up a bit but never getting around to it… I’ve recently paid for an upgrade (well, there was a substantial discount code…) and have started to overhaul things to get them closer to what I’d originally wanted. A couple of these improvements have already been done: a ‘featured playlist’ media player has been added the the main page, and a page has been created for a ‘featured gallery’ of selected artwork. Both of these will be changed periodically. I’ve also embedded one of the videos from my YouTube channel, and more of that will be added soon.
The next big modification I need to tackle is the shop listings. I’ve had to de-activate all of the international purchase buttons because my shipping rates were so severely out of date. Some tedious hours are going to have to be dedicated to getting all the postage totals current again. Also, most of the home-made jewel case CDR listings are going to go away soon, so if you’ve been wanting one of those, best to get them soon. I’ve looking to replace the drab jewel case packaging format with something else, but have not yet decided what that will be; perhaps fully handmade editions like I did for ‘4 Orphans’, but hopefully something simpler & quicker to assemble. In any case, I’ll have to keep the editions fairly small — which is entirely appropriate for my small audience, anyhow. Most releases stop selling entirely after about a year… I’ll have to think carefully about what to keep in print. The interest in physical vs. digital is still wobbling back and forth and I’m not really sure where it’s going to land. I prefer CDs myself, but they seem to be on a non-stop rail replacement bus service headed to Obsoleteville. If I had a good label to work with I could consider vinyl editions, but on my own it’s not really plausible… and I don’t think it would a worthwhile investment for any label out there in the current economic climate.
If anyone is experiencing any problems with the new site format, or has any useful comments in regards to that (please note the word ‘useful’), feel free to contact me at irrappext@gmail.com.
More thrills are lined up for next month, along with the regular Frogtown report.
I’ll make this quick, since I yet again had to pull an all-nighter to get things ready in time for Bandcamp’s fee-less Friday. I really need to find a way to manage my time better!
The first installment of the new Monthly Digital Single is now available! This year’s series is called ‘Legends of Frogtown’, and was inspired by a project I started last year, documenting the incredible variety of colours & patterns of the frogs that live in the Rock Creek Tributary (I’ve been intermittently posting some of them on my Instagram page). Every month I’ll be posting 3 tracks to accompany 3 of my frog portraits. The series is off to a pretty good start, I think. I’m approaching this year’s MDS differently from last year’s: I’m trying to avoid using any of my sound processing tricks and instead am just using the computer to capture performances done in the studio with whatever equipment & materials I have on hand.
Also available is ‘Isolation Fragments 2021-01-26‘ the soundtrack to a spontaneous video project I made at the end of January. It’s a very simple video — just editing together different images of snowfall in the Rock Creek Tributary — but it was a good excuse to motivate myself to start developing some basic video editing skills. The full version of the soundtrack and the mix/edit made for the video are both included. The video itself can be found on my YouTube page.
The final public installment of ‘Vesicular Distributor’ has now been posted. The bonus 13th installment has also been privately posted, and anyone who bought all 12 will be sent a code to get #13 for free. It’ll probably take a few days for me to get all the codes sorted. If you’re supposed to receive one and it hasn’t turned up after a week, please get in touch (irrappext@gmail.com) and let me know. Sometimes wires get crossed!
Panel #23Panel #24Panel #25 (from the bonus installment)
I’d originally planned for this series to have a total of 26 tracks + 26 panels — 2 of each per month plus 2 more for the bonus — but it’s turned out that I needed one more panel to wrap up the story properly. So the bonus installment now includes the 3 final narrative panels and 3 accompanying tracks (close to 25 minutes of extra audio).
So what’s in store for next year, you may or may not be asking? I’ll give you an answer regardless of which camp you’re in.
I am going to be doing another monthly single, as it’s proved to play a vital role in keeping my bills paid. The next one will be of a different nature, however. I do have some other narrative ideas in the works, but it takes time to get the text & visuals properly worked out, and I don’t feel up to jumping straight into another one without a break; so while I work out the next storyline, I’ll be posting a ‘Legends of Frogtown’ series every month, culled from the LOFT photo project I started this year. Each frog portrait will be accompanied by a track around 3 minutes long, with each month’s installment including 4 portraits & 4 tracks — so the total amount of audio will end up being approximately the same (the 2 tracks for ‘Vesicular Distributor’ were about 6 minutes long on average). The stylistic approach to the tracks will be very different from ‘Vesicular’, which I’ve taken about as far as I’m interested in going with it for the present. Here’s an example of one of the ‘Legends’ portraits if you haven’t already seen them on my Facebook or Instagram pages:
Aside from that, I’ve got a few more reissue/remasters lined up. The never-released album from 2011 ‘Vulgar Probabilities’ is next on the list. Ozeanische Gefühle will get a thorough scrubbing at some point. An older never-released (and never quite completed) album ‘Not Hidden But Concealed’ from way back in 2000 should be sorted out sometime next year. But I think after ‘Vulgar’, the next two reissues will probably be ‘Dust Pincher Appliances’ from 1999, and a deluxe reissue of the first irr. album ‘An Uncertain Animal’. It’d be nice to finally have all of the releases from the first phase of irr. public activity (1997-2001) fully cleaned up and made available to the world.
Several newer projects have been knocking around, and with luck I’ll find enough time to get some of those finished as well. ‘The Voice Of The Tiktaalik (Or, In The Sunshine Of Your Lungs)’, ‘Future Reveries Of The Eoarchaean Biomass, Volume 2’, ‘The Drowned Sisters Of Doggerland’, ‘All The Mystery Has Gone From The World’ and a couple others are in various stages of completion. A 4-way collaboration between myself, R K Faulhaber, Esperik Glare and Xambuca is waiting for my attention, and so is a collaboration with Recordist Overlord William Davison. And, of course, the essentially-completed-but-suspended-in-gaffa 2018 album ’10 Stations’ (of which some preview tracks have long been posted on the neglected irr. Soundcloud page) still needs to find it’s resolution.
That’s a lot, and there’s more as well, but it won’t all be coming out in a heap. That’s probably at least another 2-3 years’ worth of work, and I only hope I’ll have the good fortune to keep things going that long — and hopefully even longer.
I wish all the very best to all of you in the new year, stay healthy, happy & safe, and eternal thanks for all your support — particularly this past year!
